On 24th December veteran stars of Bollywood the likes of Asha Parekh, Manoj Kumar, Khayaam, A.K. Hangal, Ramesh Deo and Dara
Singh had gathered at Kora Kendra, Borivali for the cultural event Saptarang Ke Saptashee.
The event organized by Kala Pratishan and Aarti Art Academy was specially held to honour and felicitate legendary personality
from the world of Hindi Films who have given their selfless contribution and timeless efforts to the development of Hindi
cinema.
Madhur Bhandarkar and Sachin Pilgaonkar were the chief guests at the event which was packed to capacity. The enthusiastic
audience was witness to much fun-fare and impromptu performance from Sachin and A. K. Hangal when they re-enacted the gig
from Sholay, when Sachin went on stage to present the memento and cheque.
Madhur Bhandarkar when presenting the memento and cheque to Manoj Kumar confessed that he was a big fan of Manoj Kumar and
further revealed that he did copy the master directors shot in his work. Manoj Kumar after making a note on Madhur's talent
as a director further advised Madhur to make more movies with themes that would also influence and give message to the rural
India. Asha Parekh, Ramesh Deo and Dara Singh also thanked the organizer for their untiring effort to bring performing art to
the masses.
Each veteran artist was presented with the auspicious coconut, a shawl, a memento and a cheque of Rs. 51,0001.
Courtesy: IndiaFM.comThe word Ghazal, according to the Arabic dictionary, means ‘talking about women'. Initially it had been considered as a means of expressing love to one's beloved. But as time went by poetic words were penned reflecting life perceived by he poet. The ghazal is generally a poem consisting of five to fifteen couplets known as ‘shers'. The Ghazals became a part of the Indian musical heritage with the invasion of the Mughals.
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A Hindustani music performance commences with the alap, which is a slow invocation of free rhythm. This is followed by a jhod, which is a rhythmic piece. The rapid rhythm called jhala comes next. The next stage is the gat, which introduces the percussions. This stage moves from slow, to medium paced to rapid. And finally the performance concludes with the alap.
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