Priyadarshan is known for his unique style comedy films but the man is completely against sequels. Though sequels have become a trend in Bollywood lately, Priyadarshan does not believe in the idea. He recently turned down the offer to make Malamaal Weekly 2. This was the second time that he denied to make a sequel, the first one being Phir Hera Pheri. He thinks that no one can make a film better than the original and he is completely against tampering the originals.
Priyadarshan will however, be making a film called Kanchivaram in October under the banner of Percept India. The film will be set in 1942 and will show the struggle of textile workers when communism started. This will be a serious film with content that can be sent to film festivals.
The director however, is currently shooting Bhagam Bhaag starring Govinda, Akshay Kumar, Lara Dutta and Paresh Rawal. Besides films, Priyadarshan is also planning to start an English newspaper in South India and he will also be the editor of the publication. The main reason to start a publication is to fulfill the dream of his father who was a librarian.
Courtesy: IndiaFM.comIndia folk music owes its origins to the villages of India. This musical form represents the folklore and lives of the villagers. Indian folk music is classified into its varied types depending on the region of their origination. Here is a list of some of the popular ones that seem to have found global music fans:
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In 1962, Shankar and Bud Shank, a jazz musician, released Improvisations and Theme From Pather Pachali and began fusing jazz with Indian traditions. Other jazz pioneers such as John Coltrane—who recorded a composition entitled 'India' during the November 1961 sessions for his album Live At The Village Vanguard (the track was not released until 1963 on Coltrane's album Impressions)—also embraced this fusion. George Harrison (of the Beatles) played the sitar, which he had learned from Shankar, on the song "Norwegian Wood" in 1965. Jazz innovator Miles Davis recorded and performed with musicians like Khalil Balakrishna, Bihari Sharma, and Badal Roy in his post-1968 electric ensembles. Other Western artists like the Grateful Dead, Incredible String Band, the Rolling Stones, the Move and Traffic soon incorporated Indian influences and instruments, and added Indian performers.
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